Verne Q. POWELL
The collaboration between maker and flutist is something fundamental to our identity as a brand. Since the beginnings of our company, our flute makers have relied on the advice and guidance of the world’s best flutists. Mr. Powell was himself a great player, playing in the Boston Philharmonic, but the support and knowledge of players like Kincaid, Pappoutsakis, Baker, and Wummer grew the brand into the success that it is today. As flute makers, it is essential for us to listen to what players think and feel. Only together can we achieve that which is not possible alone.
Quality is ingrained into everything we do. From the final shaping of a D# cork to making Plug-O’s, our own brand of Silver plugs for open-hole flutes. The integrity of our manufacturing quality is vital. It is also important to keep a connection to our past while creating the future of your dreams. New technologies can help develop our craft, but in the end we still need to trust our ears and our eyes.
As a musician, your flute is an essential part of your life. You touch it, you hold it. You breathe life into it. You use it to make art, to build your career, and to support your family. We understand the investment that you make in playing a Powell flute and it’s important to us that you feel supported by the brand that you chose to play.
AURAMITE
Aurumite is a material that was pioneered by Powell. The first Aurumite flute was made in 1987, a combination of gold and silver layers into one tube. It was the first flute of its kind to bridge the gap between the two traditional flute materials. Not to be confused with gold plating, Aurumite combines two solid layers of precious metals together to produce an unique tone colour that blends both gold and silver characteristics together.